The film picked up two nominations in the design area at the 1988 AFI Awards: Nominated, Best Achievement in Production Design (Sean Peter Miller) (Sally Campbell won for The Navigator), Nominated, Best Achievement in Costume Design (Angela Tonks, Mathu Anderson) (Glenys Jackson won for The Navigator). Arguably a bit slow by western standards, this strange debut film sneaks under the wire when compared to Alex Proyas's Dark City (1998) and The Crow (1994). You would have to be a much cleverer director than I certainly was at the time to be able to achieve it. But that’s where the similarities end. It is aesthetically gratifying and pleasing as well. It’s clear with all the crosses and religious symbols around the place that Betty is a deeply mad fundamentalist,  and it emerges that Felix himself is restricted to a wheelchair because he’s the victim of one of his failed flying machine designs … (he was a know-it-all genius who rushed into it and buggered his legs). It also has a post-apocalyptic location, the area around Broken Hill which has been home to films with a similar desolate atmosphere, such as Miller's, In his subsequent feature film career, writer/director Alex Proyas has gravitated towards science fiction material (, Art director, composer and sound designer for the film, Peter Miller, at a, One of the more informative interviews was a Black Label podcast for Matthew Eeles’, Proyas also goes into his time in bands (he wrote the song and music for Jane Campion’s, Proyas made much the same sort of comment about the shoot in an interview with Miguel Díaz and Iván Suárez for, Peter Miller, who did the soundtrack, has a website. entfolgen. “I still remember him with his arms up in the air, with that smile, singing, ‘When the moon hits your eye …’”. The pricing is understandable in terms of recouping the cost of restoration, but A$35-00 for the Blu-ray extras, is rather handsomely priced. The disc was priced at A$34.99. Smith intends to head north, over the distant mountains, but Felix assures him there’s no way across … you can’t climb those buggers. I think those early novels that I read were what influenced “Dark City.” I remember reading Philip K. Dick, Ray Bradbury, and all these guys that kinda made me reevaluate things and excited me. The homage to the Cadillac Ranch is just one of a number of visuals that stick in the mind ... (Note: currently the stills available on this site are from the original VHS release and do not reflect the Umbrella digital release. In the meantime, the film occasionally turns up on YouTube - at time of writing it was available in an indifferent version derived from VHS here. According to Michael Lake, filming was done over two summers. In his subsequent feature film career, writer/director Alex Proyas has gravitated towards science fiction material (Dark City, Knowing, I, Robot) and in a number of interviews, he has suggested reasons why both the desert and science fiction appealed to him, as in this interview with George Khoury here (google cache): George Khoury: Where did your passion for film originate? For a profile of Lake at the time of making the film, see the bottom of this page. Although fabulously imaginative with its low-tech effects, it is, all in all, a bit patchy. For years now, Spirits of the Air, Gremlins of the Clouds has been all but a lost film. Top Billed Cast. The film virtually disappeared from view for many years, after a very limited commercial release in Australia and a relatively confined tour of the international film festival circuit (with an emphasis on sci fi and fantasy festivals). Umbrella announced it was releasing the film on Blu-ray in September 1998 with the following extras: Audio was in 5.1 DTS, the aspect ratio was 4:3 - suitable for a film originated on 16mm - and with English subtitles, which would please the hearing impaired and is a break from usual Umbrella policy. The story is simple, but compelling to watch. Alex Proyas: I guess I was eight years old, maybe even younger, when I saw “Lawrence of Arabia.” I mean I’d seen films before, obviously, but I remember that being the first cinema-going experience that had really blown me away. Soon he was doing the best band sin the country, including INXS. Proyas then compares later easier digital technology - the ability to shoot a movie on a phone and cut it on a lap top - as compared to the old days of expensive gear and film stock and hire of editing rooms (though he does acknowledge that in the modern era, the business of releasing a movie has become increasingly hard). It might have made a very effective short feature and given Proyas the feature film calling card he desired, but that length would never have attracted investors. It’s a very specific skill to do that well. Just loved the settings in the Outback. The homage to the. That’s pretty much the way we worked on “Dark City.” I wrote many drafts initially and then worked with Lem Dobbs and David Goyer to focus on what it was we were trying to do and to use them as a sounding board. Quarry (Kit Quarry, Proyas’ friend and film producer)  remembers Proyas - “probably awake for 72 hours straight at this point” - breaking out into a rendition of That’s Amore. Where and when: ’Spirits of the Air, Gremlins of the Clouds’ is on Friday and Saturday nights as the regular late show at the Longford Cinema, 59 Toorak Road, at 11 pm. My film school work was experimental avant-garde films, but there was always this early influence of fantasy and science fiction, and I kept going back to it. Running time: 93 mins (Murray’s Australian Film, Stratton’s The Avocado Plantation), VHS time: 1’32”48 (including a short amount of music over black after end titles), YouTube running time: 1’32”41 (including a short amount of music over black after end titles). “It was such a large part of my school days but I never really had an image of him, I guess eventually I had to have something come out of it,” he says. He’s crippled - an accident, occupational hazard of making flying machines. Spirits Of The Air, Gremlins Of The Clouds: The Original Soundtrack By Peter Miller From The Meaningful Eye Contact Film ‎ (2xCD, Album, RE, RM, S/Edition) Not On Label: none: Australia: 2018: Sell This Version It was such a wonderful epic vision. With nothing more than sand and sky in his palette, Proyas paints a thematic picture of longing and loss, both almost exclusively intertwined with each other. Spirits of the Air, Gremlins of the Clouds, ultimately, is an art piece rather than a narrative one – more thematic than story-driven. Peter Miller Spirits of the Air, Gremlins of the Clouds ℗ 2018 Peter Miller Released on: 2018-09-27 Auto-generated by YouTube. The score is a haunting blend of inspired minimalist electro pads and creaky violin, that conjures up perfectly the sun-bleached skulls, the tumbling weeds and the pathos of the two characters caught in their own cycle of madness and humanity. The debut feature from Alex Proyas (The Crow, Dark City, I Robot), Umbrella Entertainment presents a 2K scan from the original 16mm negatives. It turns out he’s obsessed with building a flying machine that will help him fly like a bird and escape the desert. In an interview with Dov Kornits here, Proyas had this to say about the financing of the film: DK: Can you tell us about your first film Spirits of the Air, Gremlins of the Clouds? I considered making it a silent movie at one point. In ‘Spirits of the Air’, Lake plays Felix, an eccentric paraplegic who is obsessed by baked beans and the motion of flight. The camera tilts up into the sky and end credits begin to roll over black... Production company: A Meaningful Eye Contact Film, produced in conjunction with MMA Films, Pro-Image and the Creative Development Branch of the Australian Film commission. The soundtrack for the film was nominated for an ARIA in the 1990 Best Original Soundtrack/Cast/Show Album category ... Where and when: ’Spirits of the Air, Gremlins of the Clouds’ is on Friday and Saturday nights as the regular late show at the Longford Cinema, 59 Toorak Road, at 11 pm. So I do want to release the movie on Blu-ray etc. The editing insists on a very slow-moving pace, and the expectation that something bigger is just around the corner is constant, but it never arrives. The introduction to Michael Helms’ interview in relation to the Dark City, published in Cinema Papers, May 1998 edition, looked at earlier Proyas' films and had this note about Spirits: I had three characters and a shack in the middle of a desert and I had to make a movie out of that. But while the heart is right, the three hander story simply lacks sufficient substance to sustain its feature-film length. According to Miller's site, the special effects shooting at the house was plagued by bad weather, and when the rain cleared, the crew spent four days shooting all the sequences which had previously been scheduled as an eight day shoot. By the time he started on The Crow, Proyas had established a reputation directing big-budget, prestigious commercials for Nike, American Express and Coca-Cola, among others, many of them in the US. Spirits of the Air, Gremlins of the Clouds - WikiMili, The Free Encyclopedia - WikiMili, The Free Encyclopedia The low budget film will be remembered for its apocalyptic visions, some superb photography, not to mention its strong characterisations. The film also turned up at other festivals such as the 1990 Vancouver Film Festival. Playing via Spotify Playing via YouTube. Alex Proyas. Start This article has been rated as Start-Class on the project's quality scale. Spirits of the Air, Gremlins of the Clouds - Trailer Leider haben wir zu Spirits of the Air, Gremlins of the Clouds bisher noch keine Videos. A three-hander is the most difficult thing you can ever do as a director. He became stage manager at Penrith’s Q Theatre before starting up his own theatre restaurant, Brown’s, where he did everything from performing to washing dishes at four in the morning. buy this soundtrack from cdandlp.com Search eBay for Spirits Of The Air, Gremlins Of The Clouds Spirits Of The Air, Gremlins Of The Clouds (1989) Composer(s): Peter Miller Released in: 1989 Suggestions There are not enough members who have this soundtrack in their … Spirits was produced on a super low budget, but none the less the crew did get the minimum wage, and it … He was the last of 40 men who auditioned for the part. A book about flight was the only book he got, apart from his old man’s religious books ... Felix persuades Smith to stay, and they begin building models for a new aircraft design, but while Betty keeps railing at the intruder and consigning him to hell, the models keep failing. The mention of flying presses Felix’s button. The third reviewer colsim reviewed four movies so I guess we'll give him the benefit of the doubt. | With Michael Lake, Melissa Davis, Norman Boyd, Rhys Davis. In fact, the English-born actor is a happy man if he gets paid for a role. The scenery is just stunning and the songs that were chosen accentuated the drama and were so good. It was fun in a very odd way because there was a little bit of AFC money in there but the majority of the money came from a company called MMA who were INXS' management. Low This article has been rated as Low-importance on the project's importance scale. “These guys knew nothing about film-making,” Proyas laughs. Set against the beautiful Australian landscapes in the outback, "Spirits of the Air, Gremlins of the Clouds" is certainly not a film that is fun science-fiction in the classic sense, which is not really surprising given the arthouse tone. It is not widely known that the director’s first feature film – before his breakthrough hit The Crow arrived in 1994 – is a super strange post-apocalyptic movie released in 1989, called Spirits of the Air, Gremlins of the Clouds. Theatrical release: The film was given a very limited theatrical release. Peter Miller, who did the soundtrack, has a website here which shows how these were done. Similarly in Melbourne the film had only short stays at the Longford and Capitol, and subsequent bookings were very spotty. Umbrella digital restoraton: c. 96 minutes (Umbrella timing). This site doesn’t get preview discs or freebies, and consequently will wait for the price point to settle before looking at the digital version. The film was released on tape in October 1989, with the box being dressed out with feathers. Spirits of the Air, Gremlins of the Clouds is a 1989 post-apocalyptic Australian film directed by Alex Proyas.It was his first feature. To me, that’s really the most important thing. Whatever might be said of the finished film, there remains strong interest in it as a cult offering. which shows how these were done. There’s his loony sister working against him and a fugitive from justice who wanders into the picture and fuels the increasingly obsessive flying dreams. I’ve always used my work in commercials as a way of understanding and telling a cinematic story more concisely; I have visual approach to storytelling, but I don’t think it’s any less relevant than characters talking in a theatrical manner. | The problems seem to have been resolved with the restoration now released by Umbrella in high and standard def formats. A “post-Holocaust western”, as he describes it. The Mad Max comparisons are obviously rife because of it's Australian desert setting. The transfer was described as being a 2K scan from the original 16mm negatives. His role in ’Spirits of the Air’ is probably his most accomplished yet, but he has no illusions about his status as an actor. The film isn’t listed in the Film Victoria report on domestic box office and this is hardly surprising. I have come close a couple of times over the years with various distributors but the deals have all fallen apart. Given the weight and prestige of the producer, there should be little doubt that Caspar will be seen by a very wide audience. Why bother? Spirits of the Air, Gremlins of the Clouds has finally been resurrected after 30 years, restored and available for rediscovery. Directed by: Alex Proyas. At 35, Lake has done plenty for one who grew up in a broken family, dodging trouble and sneaking to theatre shows at London’s West End. Smith assures him he’ll press on, he’ll get over them even if he has to fly. Director of Photography : David Knaus - ACS. “I consider myself a film-maker,” says Proyas. The comments about the film apply to a VHS viewing, and there's no doubt the Umbrella re-release will look and sound infinitely better. It could have been a contender, having many connections to the sort of outsider landscape orientated art of such films as de Heer's Incident at Raven's Gate, or Scholes' The Tale of Ruby Rose, or Pringle's The Plains of Heaven and even Valhalla-related As Time Goes By, rather than the more obvious futuristic post-apocalyptic crash and bash of a Mad Max 2. Proyas discussed the making of the movie in a number of interviews, though many of the comments tended to focus on the low budget nature of the enterprise. The NFSA here suggests it has only tape sources in its holdings. To recover the digital audio required a special PCM decoder/adaptor which converts the Umatic video signal output into the original 16 bit digital stereo soundtrack. Metacritic Reviews. Audacity. ... buy this soundtrack from cdandlp.com Search eBay for Spirits Of The Air, Gremlins Of The Clouds : Spirits Of The Air, Gremlins Of The Clouds … Details by clicking on the Blu-ray listing here. Video-Empfehlungen Actor Michael Lake told The Age his total fee was $4,000. James Paterson of the Australian Television Archive published a report on restoring the film (June 22d 2016 here), and he reports having only two main sources for the vision - a PAL Betamax recording and a 3/4” Umatic video screener. But Betty intends to stay to tend the grave of her dead father as they promised, and in turn Felix reluctantly decides he’ll stay too, giving Smith a better chance on his own to escape …, The wind cranks up, Felix reminds Smith of the flaps, the launch proceeds, the propellor-driven craft takes to the sky and Smith flies away … leaving Felix with his sister …. Before me there are three other reviewers, one called davidknaus1 and one called drella-3 and both reviewed exactly one movie with a perfect score, guess which one? A micro budget. It even has hints of Ward's The Navigator about it, or in a curious way, another de Heer film, about a boy's attempt to fly in Tail of a Tiger. Paterson records the work as having been done, not for public release, but for his client’s own personal archive, though he does wonder if the film might be given a public release and develop a cult following. Some of the dialogue also happens to be vastly funny in it's own nutty way. PLU: 9344256017469. Spirits of the Air, Gremlins of the Clouds soundtrack from 1989, composed by Peter Miller. In other words, a complete waste of time. Spirits of the Air, Gremlins of the Clouds, it was a story of success and failure, like dream and reality. Filmed: The March 1987 issue of Cinema Papers lists a start to principal photography of 14th April 1986. 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